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che amica sei-x la mia amora..

Author: bimbettinalesa
Keywords: amore love 0001
Added: January 5, 2009


Isi Disi Amor a lo bestia parte 6

santiago segura, isi disi amora lo bestia

Author: nombreelejido
Keywords: isidisi "santiago segura"
Added: January 5, 2009


Tempi Moderni 3

Tempi Moderni è un film che non ha bisogno di tante presentazioni. Da sempre acclamato come uno dei massimi risultati mai raggiunti dalla regia chapliniana e dal cinema in generale, si tratta di una di quelle poche pellicole che possono vantarsi di non aver perso nulla della loro grinta, della loro verve satirica, del loro stile, anche a distanza di oltre 70 anni! Anzi, non è retorico affermare che, oggi più di ieri, questo film è capace di sorprendere per la precisione e l'accuratezza delle sue previsioni, le quali, pur dietro l'apparente rappresentazione comica, conservano tutta la loro feroce attualità. Ma Tempi Moderni non per questo deve venire considerato solo uno splendido manifesto contro la meccanizzazione e l'industrializzazione selvagge dell'epoca contemporanea, ma anche, e soprattutto, una immagine spettacolare, divertente e poetica della forza e della creatività delle energie umane. Le quali, dietro l'iconico anarchismo del personaggio-vagabondo Charlot (protagonista, come si sa, dei principali film di Chaplin), possono tornare centrali e ribadire la propria importanza quale unica possibilità di recupero di una più autentica e genuina esperienza di vita. In questo 3° estratto vediamo Charlot venire chiamato in un locale per tenere un numero di cabaret, ma il nostro eroe, preso dalla foga, smarrisce le parole che aveva accuratamente scritto sul polsino ed è costretto ad improvvisare... E' una sequenza dotata di un estro che definire fenomenale è davvero poca cosa! Totalmente padrone della scena, il grande Chaplin esegue una performance tanto buffa quanto spettacolare, cantando una canzone dal testo informe che peraltro rappresentò anche la prima occasione che permise agli spettatori dell'epoca di ascoltare al cinema la sua vera voce. Il testo della canzone, chiamata "Titina", è una strampalata mistura di vocaboli francesi, spagnoli ed italiani, e suona pressapoco così: Se bella giu satore Je notre so cafore Je notre si cavore Je la tu la ti la twah La spinash o la bouchon Cigaretto Portabello Si rakish spaghaletto Ti la tu la ti la twah Senora pilasina Voulez-vous le taximeter? Le zionta su la seata Tu la tu la tu la wa Sa montia si n'amora La sontia so gravora La zontcha con sora Je la possa ti la twah Je notre so lamina Je notre so cosina Je le se tro savita Je la tossa vi la twah Se motra so la sonta'' Chi vossa l'otra volta Li zoscha si catonta Tra la la la la la la''

Author: VulgarHurricane
Keywords: cinema cine magic cinemagic moments tempi moderni modern times charles charlie chaplin comico comic
Added: January 5, 2009


Giovanna em: Um dia de verão na casa da vovó!

Buchinha, balde e muita água! Tá pronta a farra da minha amora!

Author: carolinavalomim
Keywords: ...
Added: January 5, 2009


Amora FC - GD Sesimbra

Resumo do jogo Amora FC - GD Sesimbra, disputado no Campo da Medideira, a 04.01.2009. Jogo do campeonato Distrital de Futebol da 1ªdivisão da Ass.Futebol de Setúbal. Imagens e edição: Nelson Filipe Patriarca

Author: nelsonpatriarca
Keywords: amora amorafc futebol afsetubal medideira afc sesimbra gdsesimbra descalço descalco josemendes nelsonpatriarca
Added: January 4, 2009



More Information About Amora

Rabbinical Eras

Amora (Aramaic: אמורא; plural אמוראים, Amora'im; "those who say" or "those who tell over"), were renowned Jewish scholars who "said" or "told over" the teachings of the Oral law, from about 200 to 500 CE in Babylonia and the Land of Israel. Their legal discussions and debates were eventually codified in the Gemara. The Amoraim followed the Tannaim in the sequence of ancient Jewish scholars. The Tannaim were direct transmitters of uncodified oral tradition; the Amoraim expounded upon and clarified the oral law after its initial codification.

Contents

The Amoraic era

The first Babylonian Amoraim were Abba Arika, respectfully referred to as Rav, and his contemporary and frequent debate partner, Shmuel. Among the earliest Amoraim in Israel were Rabbi Yochanan and Shimon ben Lakish. Traditionally, the Amoraic period is reckoned as seven or eight generations (depending on where one begins and ends). The last Amoraim are generally considered to be Ravina I and Rav Ashi, and Ravina II, nephew of Ravina I, who codified the Babylonian Talmud around 500 CE.

In the Talmud itself, the singular amora generally refers to a lecturer's assistant; the lecturer would state his points briefly, and the amora would then repeat them aloud for the public's benefit, adding translation and clarification where needed.

Prominent Amoraim

The following is an abbreviated listing of the most prominent of the (hundreds of) Amoraim mentioned in the Talmud. More complete listings may be provided by some of the external links below. See also List of rabbis.

First generation (approx. 230–250 CE)

Second generation (approx. 250–290 CE)

Third generation (approx. 290–320 CE)

  • Rabbah (d. 320), disciple of Rav Huna and Rav Yehudah. Dean of the Yeshiva at Pumbedita.
  • Rav Yosef (d. 323), disciple of Rav Huna and Rav Yehudah. Dean of the Yeshiva at Pumbedita.
  • Rav Zeira (Palestine)
  • Rav Chisda (d. 309), disciple of Rav, Shmuel, and Rav Huna. Dean of the Yeshiva at Sura.
  • Simon (Shimeon) ben Pazzi
  • Rav Sheshes
  • Rav Nachman (d. 320), disciple of Rav, Shmuel, and Rabbah bar Avuha. Did not head his own yeshiva, but was a regular participant in the discussions at the Yeshivot of Sura and Mahuza.
  • Rabbi Abbahu (d. early 4th century), disciple of Rabbi Yochanan. Dean of the Yeshiva in Caesarea.
  • Hamnuna — Several rabbis in the Talmud bore this name, the most well-known being a disciple of Shmuel (fl. late 3rd century).
  • Judah III (d. early 4th century), disciple of Rabbi Johanan bar Nappaha. Son and successor of Gamaliel IV as Nasi, and grandson of Judah II.
  • Rabbi Ammi
  • Rabbi Assi
  • Hanina ben Pappa
  • Rabbah bar Rav Huna
  • Rami bar Hama

Fourth generation (approx. 320–350 CE)

  • Abaye (d. 339), disciple of Rabbah, Rav Yosef, and Rav Nachman. Dean of the Yeshiva in Pumbedita.
  • Rava (d. 352), disciple of Rabbah, Rav Yosef, and Rav Nachman, and possibly Rabbi Yochanan. Dean of the Yeshiva at Mahuza.
  • Hillel II (fl. c. 360). Creator of the present-day Hebrew calendar. Son and successor as Nasi of Judah Nesiah, grandson of Gamaliel IV.

Fifth generation (approx. 350–371 CE)

Sixth generation (approx. 371–427 CE)

  • Rav Ashi (d. 427), disciple of Abaye, Rava, and Rav Kahana. Dean of the Yeshiva in Mata Mehasia. Primary redactor of the Babylonian Talmud.
  • Ravina I (d. 421), disciple of Abaye and Rava. Colleague of Rav Ashi in the Yeshiva at Mata Mehasia, where he assisted in the redaction of the Babylonian Talmud.

Seventh generation (approx. 425–460 CE)

  • Mar bar Rav Ashi.

Eighth generation (approx. 460–500 CE)

  • Ravina II (d. 475 or 500), disciple of Ravina I and Rav Ashi. Dean of the Yeshiva at Sura. Completed the redaction of the Babylonian Talmud.

Other

The "Stammaim" is a term that has been coined by some modern scholars for the rabbis who submitted anonymous comments on the Talmud, some of whom contributed during the period of the Amoraim, but most who made their contributions after the amoraic period. [1]

External links

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