After many long hours, this is my tribute to my favorite genre, to the dark shadows and the profound despair of the soul. I tried to include as many as I could get my hands on, though there are obviously some that I overlooked, some accidently (the absence of "The Sweet Smell of Success" and "White Heat" are the most obvious and shameful), some purposefully (save Sam Fuller's 1964 pulp masterpiece "The Naked Kiss," I decided to stay strictly within the 18-year period between 1940 and 1958, so absolutely no neo-noirs like "Chinatown", and even more importantly, absolutely no colors). This video is dedicated to two awesome women: The first is my friend Cecilia Ossenbeck, my partner in crime in the adventures of cinema. The second is to noir icon Ann Savage, who died yesterday. And now, the noirs: THE LETTER (1940, William Wyler. Bette Davis) THE MALTESE FALCON (1941, John Huston. Humphrey Bogart, Mary Astor) SHADOW OF A DOUBT (1943, Alfred Hitchcock. Joseph Cotten) DOUBLE INDEMNITY (1944, Billy Wilder. Barbara Stanwyck, Fred MacMurray) MURDER, MY SWEET (1944, Edward Dmytryk. Dick Powell) SCARLET STREET (1945, Fritz Lang. Edward G. Robinson, Joan Bennett) LAURA (1945, Otto Preminger. Gene Tierney) DETOUR (1945, Edgar G. Ulhmer. Ann Savage) NOTORIOUS (1946, Alfred Hitchcock. Cary Grant, Ingrid Bergman) GILDA (1946, Charles Vidor. Rita Hayworth) THE KILLERS (1946, Robert Siodmak. Ava Gardner, Burt Lancaster) THE BIG SLEEP (1946, Howard Hawks. Humphrey Bogart) THE POSTMAN ALWAYS RINGS TWICE (1946, Tay Garnett. John Garfield, Lana Turner) THE LADY FROM SHANGHAI (1947, Orson Welles. Rita Hayworth, Welles) OUT OF THE PAST (1947, Jacques Tourneur. Jane Greer, Robert Mitchum) BRUTE FORCE (1947, Jules Dassin. Burt Lancaster) FORCE OF EVIL (1948, Abraham Polonsky. John Garfield, Marie Windsor) THE SET-UP (1949, Robert Wise. Robert Ryan) THE THIRD MAN (1949, Carol Reed. Orson Welles) CRISS CROSS (1949, Siodmak. Burt Lancaster, Yvonne de Carlo) GUN CRAZY (1950, Joseph H. Lewis. John Dall, Peggy Cummins) IN A LONELY PLACE (1950, Nicholas Ray. Humphrey Bogart, Gloria Grahame) THE ASPHALT JUNGLE (1950, Huston. Sterling Hayden) NIGHT AND THE CITY (1950, Jules Dassin. Richard Widmark, Gene Tierney) SUNSET BLVD. (1950, Billy Wilder. Gloria Swanson, William Holden) ACE IN THE HOLE (1951, Billy Wilder. Kirk Douglas, Jan Sterling) ANGEL FACE (1952, Otto Preminger. Jean Simmons) PICKUP ON SOUTH STREET (1953, Samuel Fuller. Richard Widmark) THE BIG HEAT (1953, Fritz Lang. Gloria Grahame, Lee Marvin) KISS ME DEADLY (1955, Robert Aldrich. Gaby Rodgers) NIGHT OF THE HUNTER (1955, Charles Laughton. Robert Mitchum, Lillian Gish) THE KILLING (1956, Stanley Kubrick. Sterling Hayden) ELEVATOR TO THE GALLOWS (1958, Louis Malle. Jeanne Moreau, Maurice Ronet) TOUCH OF EVIL (1958, Orson Welles) THE NAKED KISS (1964, Samuel Fuller. Constance Towers) If this should be deleted for copyright infringement (this is for recreational use only, not for profit), I've had a hell of a time doing it. And just in case I glorified violence and smoking a bit too much, as a semi-pacifist, non-smoking woman, I can only quote Samuel Fuller: "I hate violence. That has never prevented me from using it in my films."

Author: RubyTuesday717
Keywords: Movie
Added: December 29, 2008

You know what it is man... Uh huh Uh huh (Clipse) Uh huh Uh huh (Yeah Tasha) Uh huh Uh huh (Yeah) Dark Child W-W-W-W-W-Why you so sick? (CLIPSE) He sick over you, huh? You doing your thang Make them trick over ya, Hun Buy you a ring And since he wants to be dumb Copp the ranger The Miami hot rod when you and I can hang Thatd be the getaway with the two of us can roam Anytime he call I just pass you the phone G force the flown all across the seas And I never met a - whos finer than me Maybe a handbag or some designer jeans But never my heart, wont wear it on my sleeve Seen too many bite the apple like Eve So when you talk love thats when I set you free (NATASHA) Yeah! since you said it right You better recognize Id be the chick up in the corner Catchin all your eyes Yea I know Im looking slim And girl u wanna fight 5'9, light skin, got some juicy thighs My Hair Is Brown And I Ain't Gotta Fuck I Just Coming For The Brown Dont be trying to check me Cause your man is on my phone Go and tell my mama cause she dont care cause Im grown (Bring that back) Yeah! since you said it right You better recognize Id be the chick up in the corner Catchin all your eyes Yea I know Im looking slim And girl u wanna fight 5'9, light skin, got some juicy thighs My Hair Is Brown And I Ain't Gotta Fuck I Just Coming For The Brown Dont be trying to check me Cause your man is on my phone Go and tell my mama cause she dont care cause Im grown Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wanna hit You look so sick cause I make these boys flip Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wanna hit You look so sick cause I make these boys flip You must be sick cause u didnt find me You must be sick cause dark child's behind me Plus u real sick 'cause mark pitts signed me W-W-W-W-W-Why you so sick? I dont want you hating me cause you think Im conceited But as I ? Cause you man like what hes seeing Dont be mad cause when I walk these boys be breathing And they panting and they staring and these -- breathing Im seventeen And Im up in the club with no ID Escorted past you by security And Im chilling with your -- up in VIP Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wanna hit You look so sick cause I make these boys flip Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wanna hit You look so sick cause I make these boys flip You're looking all retarded Crazy with all that started But you cant get mad at me Cause Im looking some outta of magazine Oh! All Im trying to do is make this money Cant help these boys is on me You better fall back off of me Take 2 of these and just call me in the mornin' (CLIPSE) Call the doctor These -- so sick The truth is back We do away with the imposters Sit amongst the mobsters Stones blue as Doppler You track the storm Lightning wrapped around the collar Follow the fast lane And re-up rulers We started from four and a half like preschoolers Now we in the middle of old like hula hoopers Crown Vic's fuller that -- we stay troopers Aviator lens Drop head coop Let your head blow in the wind u the envy of your friends Yves St. Laurent Make every woman grin Pocket full of bobble heads Lets spin them to the end Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wanna hit You look so sick cause I make these boys flip Why you looking all twisted in ur grill You look so sick cause Im looking so fit You look so sick cause these boys wannna hit You look so sick cause I make these boys flip You must be sick cause u didnt find me You must be sick cause Darkchilds behind me Plus u real sick 'cause mark pitts signed me W-W-W-W-W-Why you so sick? You must be sick cause u didnt find me You must be sick cause Darkchild's behind me Plus u real sick 'cause mark pitts signed me W-W-W-W-W-Why you so sick?

Author: babyboy75
Keywords: Natasha so sick hey clipse new 2006 2007 2009 2008 rap hip hop rnb ciara beyonce usher christina natashaishere is here lyrics
Added: December 24, 2008

When a guy with 100 voices is interviewed, you never know what could happen! And sorry about the chuckling, that's the risk you take when you do improv.

Author: GrantStuff
Keywords: improv grant fuller karydan elkins funny 100 voices weird dude guy
Added: December 23, 2008

James Productions Shoot, Jim Lund, Jim Fuller, Buck Pearson, Eric Young, Dooley Grove, Wood Muller and others on location in the early 80's. Shooting a Peavey Jeans commercial featuring Claude Atkins. KSTP channel 5 news coverage.

Author: rainylakeboy
Keywords: Commercial shoot
Added: December 16, 2008

J Brand launched as an exclusive at Ron Hermans Melrose jeans bar in the spring of 2005. The brand had immediate success, and J Brands introduction of their skinny straight leg made them the first American-made premium jeans to drive this trend. In fall 2008, J Brand introduced a Mens line under the label, J Brand Denim Co. The line will reflect modern basics with a vintage sensibility, inspired by classic Americana. J Brand Denim Co. is carried in top retail stores including Barneys, Bergdorf Goodman, Bloomingdales, Scoop NYC, American Rag Cie and Ron Herman. "Blue label is perfect for women with curves. We have received a good deal of feedback from women who told us they loved our look and styles but wanted a fuller fit. We created Blue Label with a more generous cut around the leg, as well as contoured waist band to hug the body's natural curve."

Author: JBrandJeans
Keywords: Brand Jeans Denim Co Blue Label Premium Style Fashion Sean Hornbeak Susie Crippen Jeff Rudes vintage classic americana
Added: December 9, 2008